CTQS Standard I

The teacher is an expert in literacy and mathematics and is knowledgeable in all other content that he or she teaches (e.g., science, social studies, arts, physical education, or world languages). The secondary teacher has knowledge of literacy and mathematics and is an expert in his or her content endorsement area(s).

2-D Unit: Building Still Life Drawings Through Value

This unit introduced students to still life drawing, value, and shading techniques through a scaffolded sequence of projects. Over several weeks, students built foundational skills and applied them to increasingly complex subjects.

We began with the value scale, learning pencil control and smooth light-to-dark transitions. Students then spent three days on geometric shapes, three days on flower still lifes, and three days on skulls, applying skills step by step.

Instructional structure (posted and referenced daily):

  1. Block it out with shapes

  2. Clean it up (no more sketchy lines)

  3. Make it ''perfect''(add all of your details)

  4. Shade it (add light, medium, and dark values)

This clear, consistent process emphasized skill development and art vocabulary, helping students build technical confidence and expressive ability.

Element A

Teachers provide instruction that is aligned with the Colorado Academic Standards and their district’s organized plan of instruction.

This 2-D drawing sequence is directly aligned with the Colorado Academic Standards for Visual Arts, which emphasize observation, technical skill, and understanding artistic processes.

Students began the unit by experimenting with a range of drawing pencils (from hard to soft graphite) to create their own value scales. Through guided practice, they explored how different pencils produce varying tones, pressure effects, and textures—laying the foundation for understanding how artists use light and shadow to create form.

Geometric shapes allowed students to apply that value knowledge to structured forms, developing accuracy and control.
Flower still lifes helped students observe natural curves, textures, and organic shapes.
Skull drawings challenged students to combine all these skills while observing proportion, structure, and value in a more complex subject.

By progressing through increasingly challenging subject matter, instruction remained sequenced and accessible to a wide range of skill levels.

Element B

Teachers develop and implement lessons that connect to a variety of content areas/disciplines and emphasize literacy and mathematics.

Throughout the unit, students built disciplinary literacy by learning and applying art-specific vocabulary such as highlight, tone, value, shadow, shade, and contrast.

Students practiced applying these terms in both their artwork and language. This established a shared technical foundation for the lessons that followed.

Next, during the geometric shapes assignment, students drew cylinders, spheres, and cubes while making mathematical connections through measuring and comparing proportions. They used rulers to check alignment, analyzed angles, and learned how light interacts with different planes. This process deepened their understanding of how geometry informs realistic drawing.

As the unit progressed to flower still lifes and skulls, students used the same mathematical reasoning to break down complex organic forms into basic shapes before layering in value and detail. 

This integration of content areas not only strengthened their technical drawing skills but also reinforced literacy and mathematical reasoning in authentic, creative contexts.

Element C

Teachers demonstrate knowledge of the content, central concepts, inquiry, appropriate evidence-based instructional practices, and specialized characteristics of the disciplines being taught.

The unit was designed using evidence-based art education strategies that support both skill-building and artistic inquiry.

The step-by-step scaffolding—from value scales to geometric shapes, then flower still lifes, and finally skulls—allowed students to gradually build their drawing abilities with confidence. Each stage introduced new technical challenges while reinforcing prior skills. By the time students reached the skull drawing, they had developed both the precision and critical eye needed for a more complex subject.

Instructional modeling demonstrated proper pencil control (using a range of graphite pencils from HB to 6B), layering values, and creating depth. Students were encouraged to inquire through observation, carefully studying real objects to make informed artistic decisions.

By scaffolding the assignments — value scale → geometric shapes → flowers → skulls — students develop not just technical drawing skills but also artistic liberty to add their own spin to their drawings

CTQS Standard III

Teachers plan and deliver effective instruction and create an environment that facilitates learning for their students.

3-D Sculpture Unit: Dream House Project

In this unit, students were challenged to design and construct their own “dream house” sculptures out of cardboard, integrating creativity, research, and engineering concepts. Each house had to meet specific criteria:

  • A minimum of one foot in height

  • A structurally sound design that was not just a square box

  • The ability to pass an “earthquake test” at the end of the unit

  • A fictional or original character designed to live in their house, connecting storytelling to architectural choices.

Students began by researching real-world house designs, gathering inspiration from different architectural styles and cultures. They then sketched blueprints, designed floor plans, and planned structural supports before building.

Element A

Teachers demonstrate knowledge about the ways in which learning takes place, including the levels of intellectual, physical, social, and emotional development of their students.

This project was intentionally structured to meet students where they are developmentally, addressing their intellectual, physical, social, and emotional growth. Intellectually, students engaged in design thinking as they solved problems of stability, structure, and character integration, applying critical reasoning at every stage. Physically, the process of measuring, cutting, folding, and assembling cardboard required them to use fine motor skills and spatial reasoning in real, tactile ways. Socially and emotionally, students developed a personal connection to their work by designing a character who would “live” in their house, giving their structures narrative meaning and personal investment. This open-ended approach made space for all learners to access the project at their own level, allowing for diverse interpretations and pathways to success.

Element B

Teachers use formal and informal methods to assess student learning, provide feedback, and use results to inform planning and instruction.

Assessment in this unit was continuous, intentional, and embedded in the creative process. Students began with blueprint checks, which ensured their designs met structural and creative project criteria. In-progress critiques allowed both teacher and peers to provide feedback on engineering choices, stability, and design clarity, while giving students time to revise their work before final construction. The earthquake test served as a performance-based assessment that revealed how effectively students applied their understanding of balance, structure, and support. Informal peer feedback and teacher conferences were used to guide real-time adjustments to individual projects, ensuring that assessment was both reflective and actionable.

Element C

Teachers integrate and utilize appropriate
available technology to engage students in authentic
learning experiences.

Technology played a key role in making this project an authentic design experience. Students used digital resources to research architectural styles, analyze structural features, and gather visual references that informed their own designs. Many created concept sketches or mood boards digitally, blending visual art with digital literacy. This process closely mirrored real-world design workflows, bridging the gap between traditional sculpture techniques and modern design practices, and showing students how artists and architects use technology to bring ideas to life.

Element D

Teachers establish and communicate high expectations and use processes to support the development of critical-thinking and problem-solving skills.

High expectations were clearly communicated from the start of the unit. Students were required to build houses that were at least one foot tall, structurally sound, and capable of passing an earthquake test. These criteria pushed students beyond basic construction and into strategic problem-solving. They had to plan for stability, select appropriate supports, and make revisions when their structures did not hold up as intended. Adding a character to inhabit their house required students to justify their design decisions, blending imaginative storytelling with architectural reasoning. Through this process, students developed critical-thinking and problem-solving skills that deepened both their artistic and structural understanding.

Element E

Teachers provide students with opportunities
to work in teams and develop leadership.

Although each student created their own house, the classroom functioned as a collaborative studio space. Students shared materials, tools, and construction strategies, learning from each other through observation and conversation. As they discovered effective building techniques, many naturally stepped into peer leadership roles, mentoring classmates and offering suggestions. Group discussions centered on solving common design challenges helped foster a sense of community and collective problem-solving, strengthening students’ collaborative skills.

Element F

Teachers model and promote effective communication.

Communication was woven throughout the entire unit, both verbally and in writing. Students practiced articulating their design choices during peer critiques, using art and design vocabulary to give and receive constructive feedback. They also engaged in reflective writing to document their process, challenges, and solutions. During final presentations, students introduced their character and explained how their house’s structure, shape, and style supported that character’s lifestyle and needs. This combination of technical explanation and narrative reasoning demonstrated not only their understanding of sculpture and structure but also their ability to communicate as designers and storytellers.

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